Among them are several stock characters of the commedia dell'arte: Il Magnifico, Buratin, Francatripe, and Rufiana. ![]() Most of the participants appear to be wearing masks and some form of costume or fancy dress. Captions identify the personages or actions taking place in each image. All except one of the images is numbered at lower left or right. Description Three leaves, possibly from a book, each containing two images. Physical Description Etchings Extent: 6 prints (3 sheets) : etching, b&w 16 x 23 cm. They may be earlier or later versions made by him or perhaps by his father Pietro, who was also a printmaker. Biographical/historical: Several of the prints in this collection are similar though not identical to prints made by Francesco Bertelli and published in his Il carnevale italiano mascherato que si veggono in figura varie inuetione di capritii (1642). Masks and costumes that disguised the wearer's identity contributed to a heady sense of freedom, not to say license. Biographical/historical: In seventeenth-century Venice, the carnival festivities that preceded the austere season of Lent included performances of commedia dell'arte, an improvisational theatre form entertainments by costumed performers such as the "wild men" seen in No. ![]() ![]() Library locations Jerome Robbins Dance Division Shelf locator: *MGZFD Ven 1-3 Topics Carnival - Italy - Venice Commedia dell'arte Genres Prints Notes Acquisition: Gift Lincoln Kirstein, 1973. Subjects Dates / Origin Date Issued: 1600 - 1699 (Questionable) Table of Contents : Peregola ouer Rufiana, Magnificho - 32: Mascare usate in Veneta che tirano oui odoriferi - 33: Ferarese, Buratin - 34: Mussicha vsata da mascare in Venettia il Carneuale - 35: Buratin - 36: Francatripe. Names Bertelli, Francesco (Associated name) Collection
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |